Audio Programmer Interface 2025 Held at Our School: Pioneering the Future of Audio Technology
In a groundbreaking development, the BSc (Hons) Music Production & Software Engineering degree programme at the renowned school is embracing the future of music with an innovative approach.
Chris Nash, the programme leader, recently presented a talk on A RADical Approach, introducing two revolutionary tools: Manhattan, a hybrid digital audio workstation, and Klang, a simplified C++ coding language for audio. These advancements promise to revolutionise the music production landscape.
The school's instructors, industry experts in their respective fields, are passionate about DJing, music production, sound engineering, vocal performance, software engineering, radio, and songwriting. They are committed to nurturing the next generation of creatives, offering degrees and short courses in London, LA, Ibiza, and Online, catering to various locations and aspirations.
The intersection of music and technology is evolving rapidly, as demonstrated at the school's London campus API event. Key developments in 2025 include the use of AI in music creation, real-time AI collaboration tools, and customization services that are transforming the production industry.
AI music generators can create compositions from text prompts, generate lyrics, and emulate diverse musical styles. Platforms such as Suno AI, ElevenLabs Music, and MelodyQ are democratising the creative process, allowing both amateurs and professionals to instantly create and customise music.
Real-time AI collaboration tools enable musicians to co-create with AI live, tweaking compositions in the moment. This facilitates new forms of creative partnerships between human artists and AI systems and enhances workflow efficiency.
AI-driven mastering and production services like LANDR automate post-production phases, speeding up delivery times and helping artists respond promptly to market trends. This is especially impactful in fast-paced genres like electronic music where timing is crucial.
Customization and personalization are significant trends, with services evolving to tailor music-making experiences and outputs to individual artists' styles and audience preferences.
The broader technological ecosystem, including roles like music supervisors integrating AI-curated soundtracks into multimedia platforms and immersive experiences, reflects the growing convergence of music, AI, and digital media in entertainment and branding contexts.
These advancements illustrate how AI technologies are not only augmenting traditional music production but are also redefining creativity, collaboration, and access to music creation at the school's London campus and beyond in 2025.
The school has earned a prestigious Gold rating in the Teaching Excellence Framework (TEF), placing it among the very best institutions. The BSc (Hons) Music Production & Software Engineering degree fuses musical innovation with real-world coding, giving students the tools to experiment, create, and thrive in careers in gaming, app development, immersive media, and more.
The course is designed to develop the next generation of tech-savvy creatives ready to lead in software engineering. To further support students, the school provides free courses, exclusive music-making tools, and tutorials on its Free Stuff page.
Moreover, Chris Nash demonstrated how these tools can be connected with popular game engines like Unity and Unreal to open up new creative possibilities in music production, live performance, and game sound design.
A lively panel discussion took place on What's Next in Music Tech?, featuring experts from Orange Amps, Spitfire Audio, and Plugin Alliance, discussing AI-assisted music production, the future of DAWs, and the next wave of tools designed to help creators push their boundaries.
Reuben Thomas from JUCE spoke about MIDI 2.0, the latest evolution of the technology behind how electronic instruments and software communicate, allowing for higher-quality messages and better interaction between devices.
In modules like Computational Thinking, students use code to arrange and compose music, building a solid foundation in music tech from day one. AI, according to Christopher Micheltree, is no longer just a buzzword but is becoming an essential part of modern creativity, integrating easily into music software.
The school offers a range of free resources, including plugins, projects, samples, and more, accessible through creating an account on the school's website. AI in music is not just changing the way we create music; it's making music more accessible and exciting than ever before.
- Embracing the future of education-and-self-development, the BSc (Hons) Music Production & Software Engineering degree programme at the renowned school is not only focusing on musical innovation but also integrating AI technologies, such as AI music generators and AI-driven mastering services, into the curriculum to revolutionize the music production landscape.
- Beyond music production, the fusion of lifestyle, technology, and education-and-self-development at the school extends to learning simplified C++ coding languages for audio, like Klang, and connecting music tech with popular game engines, like Unity and Unreal, to open up new creative possibilities in games, app development, immersive media, and more.
